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It really depends on that material…. For the latter, Blanchett compiled details for the role from actual recordings of Dylan. Although it is difficult to determine how directive Haynes was on set, she took it upon herself to locate and perfect usable mannerisms from existing sources. In a feature for Interview Magazine ,Jarmusch also suggests Blanchett was the controlling force behind both portrayals in Coffee and Cigarettes.

In this case, then, Blanchett seemed to have considerable control over both performances. It therefore seems fair to consider their collaboration as a mutually beneficial one that allowed Blanchett considerable creative autonomy. In order to consider reflexivity as a recurring feature of her roles and performance style, I focused on three of her more experimental performances. By playing herself, and opposite herself, in Coffee and Cigarettes , Blanchett helps viewers gain a better understanding of how performance is made up of distinct choices of gesture and physical and vocal expression.

The viewer is also afforded a rare chance to see an actress do an impersonation of her own impersonation of herself. Issues of multiple selves and constructed identities are also to the fore with Blue Jasmine. Geoffrey Rush, who acted alongside Blanchett in Elizabeth and Elizabeth: The Golden Age also identifies her willingness to highlight rather than downplay ambiguity regarding character.

You just want to keep all those questions alive. Because such roles provide the opportunity to showcase performance skills, their appeal to Blanchett is understandable. The layering is also built into the structure of Coffee and Cigarettes since Blanchett plays its only two characters. Murray Pomerance New Brunswick, N.

Keil makes this remark in respect of both Blanchett and Kate Winslet. File information. Structured data. Captions English Add a one-line explanation of what this file represents.

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